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	<title><![CDATA[Silence Community: All site bookmarks]]></title>
	<link>https://www.silencecommunity.com/bookmarks/all?offset=10</link>
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	<guid isPermaLink="true">https://www.silencecommunity.com/bookmarks/view/12087/le-mime-marceau</guid>
	<pubDate>Sat, 13 Sep 2014 17:50:52 +0200</pubDate>
	<link>https://www.silencecommunity.com/bookmarks/view/12087/le-mime-marceau</link>
	<title><![CDATA[Le mime Marceau]]></title>
	<description><![CDATA[<p>Le mime ? L'art de la transposition de la vie r&eacute;elle, avec de la po&eacute;sie en plus. Marcel Marceau interrog&eacute; en 1957 pr&eacute;sente son spectacle de mimodrames et d&eacute;voile ses projets. A c&ocirc;t&eacute; de Bip, son personnage central, sensible et po&eacute;tique, si aim&eacute; du public, le mime Marceau veut faire vivre des sc&egrave;nes de la vie parisienne et  projette &eacute;galement la mise en sc&egrave;ne d'une grande pantomime.<br><br> Une br&egrave;ve interview qui  met en lumi&egrave;re la passion d'un artiste fourmillant d'id&eacute;es.<br><br>5 f&eacute;vrier 5 f&eacute;vrier 1957</p><p>Address of the bookmark: <a href="http://www.rts.ch/archives/radio/culture/micro-partout/3368120-le-mime-marceau.html" rel="nofollow">http://www.rts.ch/archives/radio/culture/micro-partout/3368120-le-mime-marceau.html</a></p>]]></description>
	<dc:creator>Philippe Pillavoine</dc:creator>
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	<guid isPermaLink="true">https://www.silencecommunity.com/bookmarks/view/12060/un-artiste-sinstalle-dans-un-enclos-au-zoo-de-besancon</guid>
	<pubDate>Thu, 07 Aug 2014 11:43:35 +0200</pubDate>
	<link>https://www.silencecommunity.com/bookmarks/view/12060/un-artiste-sinstalle-dans-un-enclos-au-zoo-de-besancon</link>
	<title><![CDATA[Un artiste s'installe dans un enclos au zoo de Besançon]]></title>
	<description><![CDATA[<p>Un homme qui s'expose dans un zoo au vu et au su du public: jusqu'au 16 ao&ucirc;t, la ville de Besan&ccedil;on accueille une performance artistique qui veut interroger l'Homme sur son rapport &agrave; l'esp&egrave;ce animale.<br><br> Install&eacute; &agrave; deux pas des gibbons, la derni&egrave;re attraction du jardin zoologique de Besan&ccedil;on propose &agrave; ses visiteurs d'observer dix heures par jour le quotidien d'un homo sapiens vaquant - dans un enclos ouvert - &agrave; ses occupations, a constat&eacute; un photographe de l'AFP.<br><br> V&ecirc;tu d'une tenue de style colonial, le com&eacute;dien et mime <a href="http://bit.ly/QedGnd"><strong>Laurent Decol</strong></a>, 62 ans, incarne cet homme occidental qui d&eacute;ambule, s'occupe et se repose. Se distinguant en cela de l'animal, il prend aussi des photos et consulte ses e-mails.<br><br> Le com&eacute;dien a choisi de reproduire le milieu naturel de cet homme qui vit dans une pi&egrave;ce ouverte orn&eacute;e d'un lit, d'une moustiquaire, d'une lampe, d'une t&eacute;l&eacute;vision, d'une table et de chaises.<br><br> "Chaque jour, il a une th&eacute;matique pour parler par exemple de la biodiversit&eacute;, des conditions des animaux, ou de la t&eacute;l&eacute;vision. Il a emmen&eacute; ses objets. Si des personnes s'approchent de lui, il peut partager ses exp&eacute;riences, aborder des facettes de l'&ecirc;tre humain", a dit &agrave; l'AFP Justine Lemonnier, charg&eacute;e de communication aupr&egrave;s du quartier de la Citadelle de Besan&ccedil;on.<br><br> Pour son exp&eacute;rience, cet ancien metteur en sc&egrave;ne et &eacute;l&egrave;ve du mime Marceau, qui se dit naturellement "curieux" et "philosophe", s'est inspir&eacute; du roman de l'&eacute;crivain britannique David Garnett "Un homme au zoo".<br><br> Dans ce roman des ann&eacute;es 1920, un homme d&eacute;m&eacute;nage par d&eacute;fi dans un zoo et trouve une place au milieu d'un orang-outan et d'un chimpanz&eacute;.<br><br> Pour Laurent Decol, l'homme et l'animal se trouvent "dans un processus d'&eacute;volution". "Il s'agit pour moi de montrer que l'homme sait faire des choses que les animaux ne savent pas faire", s'amuse-t-il.<br><br> "On me dit que c'est faux. Il y a des choses que l'animal savait faire avant l'homme. Comme compter: l'araign&eacute;e mesure les stries en fabriquant sa toile, les fourmis &eacute;valuent les espaces entre leur pas pour &eacute;viter de se perdre", explique-t-il.<br><br> La performance de Laurent Decol rappelle celle du journaliste Georges de Caunes qui en 1988 s'&eacute;tait fait enfermer pendant deux semaines dans une cage du zoo de la Palmyre pr&egrave;s de Royan (Charente-Maritime) pour "prendre la place des singes" et "&eacute;tudier le comportement des gens".<br><br>Le Point.fr</p><p>Address of the bookmark: <a href="http://www.lepoint.fr/culture/un-artiste-s-installe-dans-un-enclos-au-zoo-de-besancon-06-08-2014-1851979_3.php" rel="nofollow">http://www.lepoint.fr/culture/un-artiste-s-installe-dans-un-enclos-au-zoo-de-besancon-06-08-2014-1851979_3.php</a></p>]]></description>
	<dc:creator>Philippe Pillavoine</dc:creator>
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	<guid isPermaLink="true">https://www.silencecommunity.com/bookmarks/view/12039/les-mimes-s%E2%80%99eclatent-a-perigueux-pour-le-festival-mimos</guid>
	<pubDate>Mon, 28 Jul 2014 18:28:52 +0200</pubDate>
	<link>https://www.silencecommunity.com/bookmarks/view/12039/les-mimes-s%E2%80%99eclatent-a-perigueux-pour-le-festival-mimos</link>
	<title><![CDATA[Les mimes s’éclatent à Périgueux pour le festival Mimos]]></title>
	<description><![CDATA[<p><strong>Le festival, qui d&eacute;bute ce soir, aura lieu jusqu'au 2 ao&ucirc;t et r&eacute;unira 27 compagnies. Il sera marqu&eacute; par un &eacute;v&eacute;nement, le retour de Josef Nadj.</strong></p>
<p><img src="http://images.sudouest.fr/images/2014/07/28/1626712_6220173_800x400.jpg?v=1" alt="Josef Nadj revient &agrave; Mimos avec son nouveau spectacle &laquo; Paysage inconnu &raquo;." width="650" style="border: 0px; border: 0px; "></p>
<p>Mimos, c'est un festival en effervescence. D&egrave;s aujourd'hui, et pendant toute la semaine jusqu'&agrave; samedi 2 ao&ucirc;t, P&eacute;rigueux deviendra une vitrine du th&eacute;&acirc;tre gestuel. On attend &agrave; cette 32e &eacute;dition 27 compagnies de sept pays, qui t&eacute;moigneront de la diversit&eacute; d'un art aux fronti&egrave;res du th&eacute;&acirc;tre, du cirque, de la danse, de la marionnette.<br><br> &laquo; Si Mimos dure depuis si longtemps, c'est qu'il a su se renouveler et aller vers les formes contemporaines &raquo;, souligne Chantal Achilli, directrice du festival et de L'Odyss&eacute;e. Les acteurs investiront les th&eacute;&acirc;tres, les rues, les jardins de la ville. Ils iront faire un tour dans les quartiers, pousseront des pointes dans l'agglom&eacute;ration, &agrave; Boulazac, Chancelade, Coulounieix-Chamiers.<br><br> &Agrave; ce programme d&eacute;j&agrave; copieux s'ajouteront les prestations de 19 compagnies du festival off, d&eacute;sireuses de se faire conna&icirc;tre. Les spectacles se succ&eacute;deront tous les jours de 11 &agrave; 23 heures. On pr&eacute;voit, au total, 160 repr&eacute;sentations. Pour marquer cet aspect festif, Mimos s'ouvrira ce soir par le &laquo; Concert de feu &raquo; des Commandos Percu, qui r&eacute;unira plusieurs milliers de personnes.</p>
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<p><br><br> <strong>&laquo; Paysage inconnu &raquo;</strong><br><br> Dans ce foisonnement, une grande figure se d&eacute;tache. Josef Nadj donnera demain au Th&eacute;&acirc;tre de P&eacute;rigueux la premi&egrave;re fran&ccedil;aise de son nouveau spectacle, &laquo; Paysage inconnu &raquo;. Cela fait quatorze ans qu'il n'&eacute;tait pas venu &agrave; Mimos. Pourtant, il l'a marqu&eacute; de son empreinte, a remport&eacute; le prix de la critique en 1995 avec &laquo; Comedia tempio &raquo;.<br><br> Cet engouement tient &agrave; la personnalit&eacute; de Josef Nadj, danseur et chor&eacute;graphe d'origine hongroise. Directeur du Centre national chor&eacute;graphique d'Orl&eacute;ans, il s'est impos&eacute; par son style &eacute;pur&eacute;, o&ugrave; l'humour et la d&eacute;rision sont omnipr&eacute;sents. &laquo; Paysage inconnu &raquo; vient d'&ecirc;tre cr&eacute;&eacute; &agrave; Lisbonne, les 16 et 17 juillet. Josef Nadj a retravaill&eacute; deux de ses solos, &laquo; Journal d'un inconnu &raquo; et &laquo; Paysage apr&egrave;s l'orage &raquo;. Il en a fait un quatuor, o&ugrave; il se produit avec un autre danseur, Ivan Fatjo, et deux musiciens en live, Akosh S. et Gildas Etevenard. On y retrouve des th&egrave;mes qui lui sont chers, en particulier l'attachement &agrave; son pays natal, la Vojvodine, enclave hongroise dans l'actuelle Serbie. Il fera d&eacute;couvrir &eacute;galement des aspects moins connus de son talent. Il pr&eacute;sentera au Th&eacute;&acirc;tre de P&eacute;rigueux une exposition de dessins intitul&eacute;e &laquo; Les Corbeaux &raquo;. Et il participera &agrave; une table ronde sur la transmission du mime et du th&eacute;&acirc;tre gestuel.<br><br> Autre grand retour : la compagnie bruxelloise Mossoux-Bont&eacute; donnera vendredi son &laquo; Histoire de l'imposture &raquo;. Parmi les nouveaux venus, il faudra compter avec Jeanne Mordoj dans &laquo; La Po&egrave;me &raquo; ou Marl&egrave;ne Rubinelli Giordano, du Collectif AOC, qui se lance dans un solo &laquo; Maal&acirc;m &raquo;. La jeune cr&eacute;ation fran&ccedil;aise sera valoris&eacute;e au cours de la soir&eacute;e &laquo; Mim&eacute;sis &raquo; r&eacute;unissant sept compagnies. La rel&egrave;ve du th&eacute;&acirc;tre gestuel.<br><br> Par Chantal Gibert</p><p>Address of the bookmark: <a href="http://www.sudouest.fr/2014/07/28/les-mimes-s-eclatent-a-perigueux-1626712-1785.php" rel="nofollow">http://www.sudouest.fr/2014/07/28/les-mimes-s-eclatent-a-perigueux-1626712-1785.php</a></p>]]></description>
	<dc:creator>Philippe Pillavoine</dc:creator>
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	<guid isPermaLink="true">https://www.silencecommunity.com/bookmarks/view/10702/festival-mimos-a-perigueux-joseph-nadj-en-vedette</guid>
	<pubDate>Fri, 11 Apr 2014 15:49:34 +0200</pubDate>
	<link>https://www.silencecommunity.com/bookmarks/view/10702/festival-mimos-a-perigueux-joseph-nadj-en-vedette</link>
	<title><![CDATA[Festival Mimos à Périgueux: Joseph Nadj en vedette]]></title>
	<description><![CDATA[<p><strong>La 32e &eacute;dition du Festival du Mime de P&eacute;rigueux a d&eacute;voil&eacute; son programme ce matin</strong></p>
<p><img src="http://images.sudouest.fr/images/2014/04/11/josef-nadj-dans-les-corbeaux-a-avignon-en-2010_1754336_800x400.jpg?v=1" alt="image" width="600" style="border: 0px; border: 0px; "></p>
<p>Il y aura du bruit, de la fureur et des flammes, le 28 juillet pour ouvrir le 32e Festival international du mime Mimos. Les Commandos Percu donneront leur "Concert de feu" au stade du Copo, le long de la Voie des stades de P&eacute;rigueux, en guise de spectacle d'ouverture gratuit. Le choix du lieu excentr&eacute; a &eacute;t&eacute; confirm&eacute; pour pouvoir accueillir davantage de public qu'en centre ville.<br><br> La grosse affiche du festival sera le retour de Josef Nadj,...  <br><em><br>[Voil&agrave; il accepte enfin son c&ocirc;t&eacute; Mime !]</em></p><p>Address of the bookmark: <a href="http://www.sudouest.fr/2014/04/11/festival-mimos-a-perigueux-joseph-nadj-en-vedette-1522728-1980.php" rel="nofollow">http://www.sudouest.fr/2014/04/11/festival-mimos-a-perigueux-joseph-nadj-en-vedette-1522728-1980.php</a></p>]]></description>
	<dc:creator>Philippe Pillavoine</dc:creator>
</item>
<item>
	<guid isPermaLink="true">https://www.silencecommunity.com/bookmarks/view/10509/65-films-de-charlie-chaplin-gratuits</guid>
	<pubDate>Sun, 08 Dec 2013 18:12:31 +0100</pubDate>
	<link>https://www.silencecommunity.com/bookmarks/view/10509/65-films-de-charlie-chaplin-gratuits</link>
	<title><![CDATA[65 Films de Charlie Chaplin gratuits]]></title>
	<description><![CDATA[<p><strong>65 Free Charlie Chaplin Films Online</strong></p>
<p><strong> A Day&rsquo;s Pleasure</strong> &ndash; <a href="http://www.youtube.com/watch?v=fF6M7eqGQUk" target="_blank">Free</a> - &ldquo;Chaplin&rsquo;s fourth film for First National Films. It was created at the Chaplin Studio. It was a quickly made two-reeler to help fill a gap while working on his first feature The Kid. It is about a day outing with his wife and the kids and things don&rsquo;t go smoothly.&rdquo; (1919)<br><br><strong> A Dog&rsquo;s Life</strong> - Free &ndash; This endearing short film tells the story of underdogs, hunan and canine, succeeding despite the odds. (1918)<br><br><strong> A Burlesque On Carmen</strong> - <a href="https://archive.org/details/CC_1915_12_18_ABurlesqueOnCarmen" target="_blank">Free</a> - Original two-reel parody of Bizet&rsquo;s Carmen by Charlie Chaplin. Also stars Leo White &amp; Edna Purviance. (1915)<br><br><strong> A Busy Day </strong>&ndash; <a href="https://archive.org/details/CC_1914_05_07_ABusyDay" target="_blank">Free</a> &ndash; Chaplin plays a wife jealous of her husband&rsquo;s interest in another woman, played by Phyllis Allen. On her way to attack the couple, the wife interrupts the set of a film, knocking over a film director, played by Mack Sennett, and a policeman, played by Billy Gilbert. (1914)<br><br><strong> A Fair Exchange</strong> &ndash; <a href="https://archive.org/details/CC_1914_12_05_AFairExchange" target="_blank">Free</a> &ndash; Originally released as Getting Acquainted, the film&rsquo;s plot has been summarized as follows: &ldquo;Charlie and his wife are walking in the park when they encounter Ambrose and his wife. The partners become fond of their counterparts and begin chasing each other around. A policeman looking for a professional Don Juan becomes involved, as does a Turk.&rdquo; (1914)<br><br><strong> A Film Johnnie</strong> -  <a href="http://www.youtube.com/watch?v=RzgU3eou2xQ&amp;noredirect=1" target="_blank">Free</a> - Charlie goes to the movie and falls in love with a girl on the screen. (1914)<br><br><strong> A Night in the Show</strong> &ndash; <a href="http://www.youtube.com/watch?v=dBJG5ZOLUcI" target="_blank">Free</a> &ndash; &ldquo;Mr. Pest tries several theatre seats before winding up in front in a fight with the conductor. He is thrown out. In the lobby he pushes a fat lady into a fountain and returns to sit down by Edna. Mr. Rowdy, in the gallery, pours beer down on Mr. Pest and Edna. He attacks patrons, a harem dancer, the singers Dot and Dash, and a fire-eater.&rdquo; (1915)<br><br><strong> All Night Out</strong> &ndash; <a href="http://www.youtube.com/watch?v=owZWbnkVbcw" target="_blank">Free</a> &ndash; &ldquo;After a visit to a pub, Charlie and Ben cause a ruckus at a posh restaurant. Charlie later finds himself in a compromising position at a hotel with the head waiter&rsquo;s wife.&rdquo; (1915)<br><br><strong> A Woman</strong> &ndash; <a href="http://www.youtube.com/watch?v=VGGZ7Ol437I" target="_blank">Free</a> &ndash; &ldquo;Mother, Father and Daughter go to the park. The women dose off on a bench while the father plays a hide-and-seek game with a girl, blindfolded. Charlie leads him into a lake. Both dozing ladies on the bench fall for Charlie and invite him for dinner. The father returns home with a friend. Charlie rushes upstairs and dresses like a woman, shaving his moustache. Both men fall for Charlie.&rdquo; (1915)<br><br><strong> Behind the Screen</strong> &ndash; <a href="http://www.dailymotion.com/video/xfq7b2_chaplin-behind-the-screen_shortfilms" target="_blank">Free</a> &ndash; A short film written and directed by Chaplin, the film is long on slapstick, but it also gets into themes dealing with gender bending and homosexuality. (1916)<br><br><strong> Between Showers</strong> - <a href="https://archive.org/details/CC_1914_02_28_BetweenShowers" target="_blank">Free</a> &ndash; A short Keystone film from 1914 starring Charlie Chaplin, Ford Sterling, and Emma Bell Clifton.<br><br><strong> By the Sea</strong> &ndash; <a href="http://www.youtube.com/watch?v=jUmnObEIork" target="_blank">Free</a> &ndash; &ldquo;It is windy at a bathing resort. After fighting with one of the two husbands, Charlie approaches Edna while the two husbands themselves fight over ice cream. Driven away by her husband, Charlie turns to the other&rsquo;s wife.&rdquo; (1915)<br><br><strong> Caught in a Cabaret</strong> &ndash; <a href="https://archive.org/details/CC_1914_04_27_CaughtinaCaberet" target="_blank">Free</a> &ndash;  Charlie is a clumsy waiter in a cheap cabaret, suffering the strict orders from his boss. He&rsquo;ll meet a pretty girl in the park, pretending to be a fancy ambassador, despite the jealousy of her fianc&eacute;e. (1914)<br><br><strong> Charlie Shanghaied</strong> - <a href="https://archive.org/details/CC_1915_10_04_CharlieShanghaied" target="_blank">Free</a> - Charlie Chaplin and his Tramp character gets shanghaied by crooks. (1915)<br><br><strong> Charlie&rsquo;s Recreation</strong> &ndash; <a href="https://archive.org/details/CC_1914_08_13_CharliesRecreation" target="_blank">Free</a> - Out of costume, Charlie is a clean-shaven dandy who, somewhat drunk, visits a dance hall. There the wardrobe girl has three rival admirers: the band leader, one of the musicians, and now Charlie. (1914)<br><br><strong> Charlot et Le Mannequin</strong> &ndash; <a href="http://www.youtube.com/watch?v=ifc5oDp1OB0" target="_blank">Free</a> &ndash; Also known as Mabel&rsquo;s Married Life, the film&rsquo;s plot is summarized as follows: &ldquo;Accosted by a masher in the park and unable to motivate husband Charlie into taking action, Mabel gets him a boxing mannequin to sharpen his fighting skills.&rdquo; (1914)<br><br><strong> Cruel Cruel Love </strong>- <a href="https://archive.org/details/CC_1914_03_26_CruelCruelLove" target="_blank">Free</a> &ndash; Chaplin plays a rich, upper-class gentleman whose romance is endangered when his girlfriend oversees him being embraced by a maid. (1914)<br><br><strong> Face on a Barroom Floor </strong>&ndash; <a href="https://archive.org/details/CC_1914_08_10_FaceOnTheBarroomFloor" target="_blank">Free</a> &ndash; &ldquo;The plot is a satire derived from Hugh Antoine D&rsquo;Arcy&rsquo;s poem of the same title. The painter courts Madeleine but loses to the wealthy client who sits for his portrait. The despairing artist draws the girl&rsquo;s portrait on the barroom floor and gets tossed out. Years later he sees her, her husband and their horde of children. Unrecognized by her, Charlie shakes off his troubles and walks off into the future.&rdquo; (1914)<br><br><strong> Gentlemen of Nerve </strong>&ndash; <a href="https://archive.org/details/CC_1914_10_29_CharlottMabelAuxCourses" target="_blank">Free</a> &ndash; &ldquo;Mabel and her beau go to an auto race and are joined by Charlie and his friend. As Charlie&rsquo;s friend is attempting to enter the raceway through a hole, the friend gets stuck and a policeman shows up. Charlie sprays the policeman with soda until he friends makes it through the hole. In the grandstand, Mabel abandons her beau for Charlie. Both Charlie&rsquo;s friend and Mabel&rsquo;s are arrested and hauled away.&rdquo; (1914)<br><br><strong> His Favorite Pastime </strong>&ndash; <a href="https://archive.org/details/CC_1914_03_16_HisFavoritePasttime" target="_blank">Free</a> - Charlie gets drunk in the bar. He steps outside, meets a pretty woman, tries to flirt with her, only to retreat after the woman&rsquo;s father returns. (1914)<br><br><strong> His New Job </strong>&ndash; <a href="https://archive.org/details/CC_1915_02_01_HisNewJob" target="_blank">Free</a> &ndash; &ldquo;Charlie is trying to get a job in a movie. After causing difficulty on the set he is told to help the carpenter. When one of the actors doesn&rsquo;t show, Charlie is given a chance to act but instead enters a dice game. When he does finally act he ruins the scene, wrecks the set and tears the skirt from the star.&rdquo; (1915)<br><br><strong> His Prehistoric Past</strong> &ndash; <a href="https://archive.org/details/CC_1914_12_07_HisPrehistoricpast" target="_blank">Free</a> &ndash; &ldquo;Charlie dreams he is in the stone age. There King Low-Brow rules a harem of wives. Charlie, in skins and a bowler, falls in love with the king&rsquo;s favorite wife, Sum-Babee. During a hunting trip the king is pushed over a cliff. Charlie proclaims himself king, but Ku-Ku discovers the real king alive. They return to find Charlie and Sum- Babee together.&rdquo; (1914)<br><br><strong> His Trysting Place </strong>&ndash; <a href="https://archive.org/details/CC_1914_11_09_HisTrystingPlace" target="_blank">Free</a> &ndash; &ldquo;Charlie&rsquo;s wife sends him to the store for a baby bottle with milk. Elsewhere, Ambrose offers to post a love letter for a woman in his boarding house. The two men meet at a restaurant and each takes the other&rsquo;s coat by mistake. Charlie&rsquo;s wife thinks he has a lover; Ambrose&rsquo;s believes he has an illegitimate child.&rdquo; (1914)<br><br><strong> In the Park </strong>&ndash; <a href="http://www.youtube.com/watch?v=t9E2dGfXQuQ" target="_blank">Free</a> &ndash; &ldquo;A tramp steals a girl&rsquo;s handbag, but when he tries to pick Charlie&rsquo;s pocket loses his cigarettes and matches. He rescues a hot dog man from a thug, but takes a few with his walking stick. When the thief tries to take some of Charlie&rsquo;s sausages, Charlie gets the handbag. The handbag makes its way from person to person to its owner, who is angry with her boyfriend who didn&rsquo;t protect her in the first place. The boyfriend decides to throw himself in the lake in despair, so Charlie helps him out.&rdquo; (1915)<br><br><strong> Kid Auto Races at Venice</strong> &ndash; <a href="http://www.youtube.com/watch?v=-j2K3A1S5ak" target="_blank">Free</a> &ndash; It&rsquo;s the first film in which Charlie Chaplin&rsquo;s iconic &ldquo;Little Tramp&rdquo; character makes his appearance. (1914)<br><br><strong> Laughing Gas</strong> - <a href="http://www.youtube.com/watch?v=j7GPgYwuCHk" target="_blank">Free</a> - Film starring Chaplin is sometimes known as &rdquo;Busy Little Dentist&rdquo;, &ldquo;Down and Out&rdquo;, &ldquo;Laffing Gas&rdquo;, &ldquo;The Dentist&rdquo;, and &ldquo;Tuning His Ivories&rdquo;.<br><br><strong> Mabel&rsquo;s Busy Day </strong>&ndash; <a href="https://archive.org/details/CC_1914_06_13_MabelsBusyDay" target="_blank">Free</a> &ndash; &ldquo;A hotdog girl gives one to a policeman who then allows her into a race track. While other customers swipe her hotdogs, Charlie runs off with the whole box, pretending to sell them while actually giving them away. She calls her policeman who battles Charlie.&rdquo; (1914)<br><br><strong> Mabel&rsquo;s Strange Predicament </strong>&ndash; <a href="https://archive.org/details/CC_1914_02_09_MabelsStrangePredicament" target="_blank">Free</a> &ndash; Watch lots of lots of high jinks go down in a hotel. (1914)<br><br><strong> Making a Living</strong> - <a href="http://www.youtube.com/watch?v=XY1csKCVZMg" target="_blank">Free</a> &ndash; Premiering on February 2, 1914, Making a Living marks the first film appearance by Charlie Chaplin.<br><br><strong> Musical Tramps</strong> &ndash; <a href="https://archive.org/details/CC_1914_11_07_MusicalTramps" target="_blank">Free</a> - &ldquo;Charlie and his partner are to deliver a piano to 666 Prospect St. and repossess one from 999 Prospect St. They confuse the addresses. The difficulties of delivering the piano by mule cart, and most of the specific gags, appeared later in Laurel and Hardy&rsquo;s &lsquo;The Music Box&rsquo;.&rdquo; (1914)<br><br><strong> One A.M.</strong> &ndash; <a href="https://archive.org/details/CC_1916_08_07_One_A_M" target="_blank">Free</a> &ndash; The first silent film Charlie Chaplin starred in alone. (1916)<br><br><strong> Police</strong> &ndash; <a href="https://archive.org/details/CC_1916_05_27_Police" target="_blank">Free</a> - &ldquo;Police was Charlie Chaplin&rsquo;s 14th released film from Essanay. It was made at the Majestic Studio in Los Angeles. Charlie playing an ex-convict finds life on the outside not to his liking and leads him to breaking into a home with another thief (Wesley Ruggles). Edna Purviance plays the girl living in the home who tries to change him.&rdquo; (1916)<br><br><strong> Shoulder Arms</strong> &ndash; <a href="http://www.youtube.com/watch?v=v3hTxSCEZYM" target="_blank">Free</a> - Charlie is a boot camp private who has a dream of being a hero who goes on a daring mission behind enemy lines. (1918)<br><br><strong> Sunnyside</strong> &ndash; Free &ndash; &ldquo;Charlie works on a farm from 4am to late at night. He gets his food on the run (milking a cow into his coffee, holding an chicken over the frying pan to get fried eggs). He loves the neighbor&rsquo;s daughter Edna but is disliked by her father. He rides a cow into a stream and is kicked off. Unconscious, he dreams of a nymph dance. Back in reality a city slicker is hurt in a car crash and is being cared for by Edna. When Charlie is rejected after attempting to imitate the slicker, the result is ambiguous&ndash;either tragic or a happy ending. Critics have long argued as to whether the final scene is real or a dream.&rdquo; (1919)<br><br><strong> The Bank</strong> &ndash; <a href="http://www.youtube.com/watch?v=ZPs-QKbkIPU" target="_blank">Free</a> &ndash; &ldquo;Charlie does everything but an efficient job as janitor. Edna buys her fiance, the cashier, a birthday present. Charlie thinks &ldquo;To Charles with Love&rdquo; is for him. He presents her a rose which she throws in the garbage. Depressed, Charlie dreams of a bank robbery and his heroic role in saving he manager and Edna &hellip; but it is only a dream.&rdquo;<br><br><strong> The Bond</strong> &ndash; <a href="https://archive.org/details/CC_1918_09_29_TheBond" target="_blank">Free</a> &ndash; A propaganda film created and funded by Chaplin for theatrical release to help sell U.S. Liberty Bonds during World War I. (1918)<br><br><strong> The Champion</strong> - <a href="http://www.youtube.com/watch?v=8IW7mOX70Pg" target="_blank">Free</a> &ndash; &ldquo;Walking along with his bulldog, Charlie finds a &ldquo;good luck&rdquo; horseshoe just as he passes a training camp advertising for a boxing partner &ldquo;who can take a beating.&rdquo; After watching others lose, Charlie puts the horseshoe in his glove and wins. The trainer prepares Charlie to fight the world champion. A gambler wants Charlie to throw the fight. He and the trainer&rsquo;s daughter fall in love.&rdquo; (1915)<br><br><strong> The Count </strong>&ndash; <a href="https://archive.org/details/CC_1916_09_04_TheCount" target="_blank">Free</a> &ndash; The Count was Charlie Chaplin&rsquo;s 5th film for Mutual Films. Co-starring Eric Campbell and Edna Purviance, it is a story about Charlie and his boss finding an invitation to a party from a real Count. (1916)<br><br><strong> The Fatal Mallet </strong>&ndash; <a href="https://archive.org/details/CC_1914_06_01_TheFatalMallet" target="_blank">Free</a> - Three man will fight for the love of a charming girl. Charlie will play dirty, throwing bricks to his contender, and using a huge hammer to hurt one of them. But a precocious kid will be the fourth suitor in discord. (1914)<br><br><strong> The Fireman</strong> &ndash; <a href="https://archive.org/details/CC_1916_06_12_TheFireman" target="_blank">Free</a> &ndash; &ldquo;Released in June 1916, it starred Charlie as the fireman and Edna Purviance as the daughter to Leo White. Leo White played a character trying to arrange with Eric Campbell (the fire chief) to have his house burn down so he could collection the insurance money. Shows some early day street scenes in the surrounding Los Angeles area.&rdquo; (1916)<br><br><strong> The Floorwalker </strong>&ndash; <a href="https://archive.org/details/CC_1916_05_15_TheFloorwalker" target="_blank">Free</a> &ndash; &ldquo;The Floorwalker was Charlie Chaplin&rsquo;s first Mutual Film Company made in 1916. It starred Chaplin as a customer in a department store who finds out the manager is stealing money from the store. It was noted for the first &lsquo;running staircase&rsquo; used in films.&rdquo; (1916)<br><br><strong> The Gold Rush</strong> &ndash; <a href="http://www.youtube.com/watch?v=nt-_DXC-aik" target="_blank">Free</a> &ndash; Charlie Chaplin wrote, produced, directed and starred in The Gold Rush. Chaplin repeatedly said that this is the film he most wanted to be remembered for. (1925)<br><br><strong> The Good for Nothing </strong>- <a href="https://archive.org/details/CC_1914_08_31_TheGoodforNothing" target="_blank">Free</a> - Made at the Keystone Studios, the film involves Chaplin taking care of a man in a wheelchair. (1914)<br><br><strong> The Immigrant </strong>&ndash; <a href="https://archive.org/details/CC_1917_06_17_TheImmigrant" target="_blank">Free</a> - Chaplin, in the role of the Tramp character, plays an immigrant coming to the United States. He gets accused of theft while on a voyage across the Atlantic Ocean. (1917)<br><br><strong> The Kid </strong>&ndash; <a href="https://archive.org/details/TheKid1080p" target="_blank">Free</a> &ndash; This was Charlie Chaplin&rsquo;s first full-length film as a director, and it is still considered one of his best. (1921)<br><br><strong> The Knockout </strong>&ndash; <a href="https://archive.org/details/CC_1914_06_11_TheKnockout" target="_blank">Free</a> -  Charlie Chaplin&rsquo;s seventeenth film for Keystone Studios. Chaplin only has a small role, and Fatty Arbuckle takes up the main role. (1914)<br><br><strong> The Landlady&rsquo;s Pet</strong> &ndash; <a href="https://archive.org/details/CC_1914_04_04_TheLandladysPet" target="_blank">Free</a> &ndash; Otherwise known as The Star Boarder, the film turns around this theme: A brat&rsquo;s magic lantern show exposes an indiscreet moment between a landlady and her star boarder. (1914)<br><br><strong> The Masquerader </strong>&ndash; <a href="https://archive.org/details/CC_1914_08_27_TheMasquerader" target="_blank">Free</a> &ndash; &ldquo;Charlie is an actor in a film studio. He messes up several scenes and is tossed out. Returning dressed as a lady, he charms the director. Even so, Charlie never makes it into film, winding up at the bottom of a well.&rdquo; (1914)<br><br><strong> The New Janitor</strong> &ndash; <a href="http://www.youtube.com/watch?v=dDnAslIWDA4" target="_blank">Free</a> &ndash; &ldquo;Charlie is janitor for a firm the manager of which receives a threatening note about his gambling debts. He throws a bucket of water out the window which lands on his boss and costs him his job. The boss, attempting to steal the money heeds from the office safe, is caught by his secretary and Charlie comes to save her and the money. He is briefly accused of being the thief but ultimately triumphs.&rdquo; (1914)<br><br><strong> The Pawnshop</strong> &ndash; <a href="https://archive.org/details/CC_1916_10_02_ThePawnshop" target="_blank">Free</a> &ndash; Rich in slapstick, The Pawnshop was one of Chaplin&rsquo;s more popular movies for Mutual Film, the producer of many fine Chaplin comedies. (1916)<br><br><strong> The Property Man </strong>&ndash; <a href="https://archive.org/details/CC_1914_08_01_CharolotGargonDeTheater" target="_blank">Free</a> &ndash; &ldquo;Charlie has trouble with actors&rsquo; luggage and conflicts over who gets the star&rsquo;s dressing room. There are further difficulties with frequent scene changes, wrong entries and a fireman&rsquo;s hose. At one point he juggles an athlete&rsquo;s supposed weights. The humor is still rough: he kicks an older assistant in the face and allows him to be run over by a truck.&rdquo; (1914)<br><br><strong> The Rink</strong> &ndash; <a href="https://archive.org/details/CC_1916_12_04_TheRink" target="_blank">Free</a> &ndash; The Rink, Chaplin&rsquo;s 8th film for Mutual Films, showcases the actor&rsquo;s roller skating abilities. (1916)<br><br><strong> The Rival Mashers</strong> - <a href="https://archive.org/details/CC_1914_10_10_TheRivalMashers" target="_blank">Free</a> &ndash; &ldquo;Charlie and a rival vie for the favors of their landlady. In the park they each fall different girls, though Charlie&rsquo;s has a male friend already. Charlie considers suicide, is talked out of it by a policeman, and later throws his girl&rsquo;s friend into the lake. Frightened, the girls go off to a movie. Charlie shows up there and flirts with them. Later both rivals substitute themselves for the girls and attack the unwitting Charlie. In an audience-wide fight, Charlie is tossed from the screen.&rdquo; (1914)<br><br><strong> The Rounders</strong> &ndash; <a href="https://archive.org/details/CC_1914_09_07_TheRounders" target="_blank">Free</a> &ndash; Writes IMDB: &ldquo;Two drunks live in the same hotel. One beats his wife, the other is beaten by his. They go off and get drunk together. They try to sleep in a restaurant using tables as beds and are thrown out. They lie down in a row boat which fills with water, drowning them (a fate apparently better than going home to their wives).&rdquo; (1914)<br><br><strong> The Tramp</strong> - <a href="http://www.dailymotion.com/video/xjbrb8_charlie-chaplin-the-tramp-1915-essanay-comedies_shortfilms" target="_blank">Free</a> &ndash; The film made Chaplin&rsquo;s great Tramp character famous. (1915)<br><br><strong> The Vagabond </strong>- <a href="https://archive.org/details/CC_1916_07_10_TheVagabond" target="_blank">Free</a> - A silent film by Charlie Chaplin that co-starred Edna Purviance, Eric Campbell, Leo White and Lloyd Bacon. Chaplin appears as The Tramp. (1916)<br><br><strong> Tillie&rsquo;s Punctured Romance </strong>&ndash; <a href="https://archive.org/details/CC_1914_11_14_TilliesPuncturedRomance" target="_blank">Free</a> &ndash; Among other things, the film is notable for being the last film that Chaplin didn&rsquo;t write or direct by himself. (1914)<br><br><strong> Triple Trouble</strong> &ndash; <a href="https://archive.org/details/CC_1918_xx_xx_TripleTrouble" target="_blank">Free</a> - &ldquo;As Colonel Nutt is experimenting with explosives, a new janitor is joining his household. The inept janitor proceeds to make life difficult for the rest of staff. Meanwhile, a foreign agent arrives at the house in hopes of getting Col. Nutt&rsquo;s latest invention. The inventor throws him out, so the agent then employs a thug to get the formula. When police head to the Nutt home to start an investigation, a complicated fracas ensues.&rdquo; (1918)<br><br><strong> Twenty Minutes of Love</strong> &ndash; <a href="https://archive.org/details/CC_1914_04_20_TwentyMinutesofLove" target="_blank">Free</a> &ndash; IMDB summarizes thusly: &ldquo;Charlie is hanging around in the park, finding problems with a jealous suitor, a man who thinks that Charlie has robbed him a watch, a policeman and even a little boy, all because our friend can&rsquo;t stop snooping.&rdquo; (1914)<br><br><strong> Work</strong> &ndash; <a href="http://www.youtube.com/watch?v=9pwKNS6v0U8" target="_blank">Free</a> &ndash; &ldquo;Charlie and his boss have difficulties just getting to the house they are going to wallpaper. The householder is angry because he can&rsquo;t get breakfast and his wife is screaming at the maid as they arrive. The kitchen gas stove explodes, and Charlie offers to fix it. The wife&rsquo;s secret lover arrives and is passed off as the workers&rsquo; supervisor, but the husband doesn&rsquo;t buy this and fires shots. The stove explodes violently, destroying the house.&rdquo; (1915)</p><p>Address of the bookmark: <a href="http://www.openculture.com/2011/12/free_charlie_chaplin_films_on_the_web.html" rel="nofollow">http://www.openculture.com/2011/12/free_charlie_chaplin_films_on_the_web.html</a></p>]]></description>
	<dc:creator>Philippe Pillavoine</dc:creator>
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	<guid isPermaLink="true">https://www.silencecommunity.com/bookmarks/view/10196/les-puristes-du-mime-en-force-au-festival-de-pologne</guid>
	<pubDate>Sat, 31 Aug 2013 10:43:44 +0200</pubDate>
	<link>https://www.silencecommunity.com/bookmarks/view/10196/les-puristes-du-mime-en-force-au-festival-de-pologne</link>
	<title><![CDATA[Les puristes du mime en force au festival de Pologne]]></title>
	<description><![CDATA[<p><img src="http://www.leparisien.fr/images/2013/08/30/3093001_1a21702f146b97fcb78a2a31b954aa4b57647d25_640x280.jpg" alt="Les puristes du mime en force au festival de Pologne" style="border: 0px; "><br> Parler ou ne pas parler, l&agrave; n'est pas la question au festival annuel de mime de Pologne, r&eacute;solument puriste sur cette forme d'art en constante &eacute;volution depuis Marcel Marceau qui lui a donn&eacute; ses lettres de noblesse.<br> Ce festival international dont la 13e &eacute;dition prend fin samedi &agrave; Varsovie apr&egrave;s une semaine de spectacles "est le seul &agrave; faire vraiment du mime", dit &agrave; l'AFP le mime allemand Alexander Neander.<br><br> En Europe, deux autres festivals de mime, ceux de Londres et de P&eacute;rigueux dans le sud-ouest de la France, y incorporent des &eacute;l&eacute;ments d'autres disciplines artistiques - cirque, acrobaties, marionnettes, et m&ecirc;me un peu d'expression orale.<br> "Au th&eacute;&acirc;tre, on s'&eacute;loigne de plus en plus de la 'pure pantomime' pour l'enrichir par la danse et parfois par des paroles", explique la sociologue polonaise Emilia Zimnica-Kuziola, sp&eacute;cialiste du th&eacute;&acirc;tre.<br> Neander, 43 ans, s'inscrit dans la tradition du mime Marceau, le l&eacute;gendaire ma&icirc;tre fran&ccedil;ais de "l'art du silence", devenu une c&eacute;l&eacute;brit&eacute; mondiale dans les ann&eacute;es soixante avec son dr&ocirc;le de personnage - "Bip" - sorte de Pierrot lunaire blafard, &agrave; l'oeil charbonneux et la bouche rouge vif, rev&ecirc;tu d'une marini&egrave;re.<br> Le directeur du festival de Varsovie, Bartlomiej Ostapczuk, 36 ans, est un autre adepte de Marcel Marceau. Il a insist&eacute; pour que l'entretien avec l'AFP ait lieu face &agrave; face et non par t&eacute;l&eacute;phone, "ou &agrave; la rigueur sur Skype".<br> Devant la journaliste de l'AFP, il s'amuse &agrave; caricaturer un mime au t&eacute;l&eacute;phone, en gesticulant fr&eacute;n&eacute;tiquement: "vous n'auriez pas pu voir tout cela" au t&eacute;l&eacute;phone, dit-il en souriant.<br> En Pologne, la pantomime a &eacute;t&eacute; relanc&eacute;e par Henryk Tomaszewski, un contemporain de Marcel Marceau qui a fond&eacute; l'&eacute;cole polonaise du mime.<br> Cette ann&eacute;e, le festival lui a rendu hommage avec une r&eacute;trospective de ses cr&eacute;ations lors de la soir&eacute;e d'inauguration.<br> D'autres spectacles ont suivi, avec des troupes de R&eacute;publique tch&egrave;que, de France, d'Allemagne ou d'Ukraine.<br><strong> Mime veut dire imitateur</strong><br> Mimer consiste "&agrave; se jeter dans une situation et &agrave; improviser, &agrave; affiner petit &agrave; petit", en recherchant ce qui est "vraiment important, ce qui traduit vraiment les &eacute;motions", explique l'artiste allemand Wolfram von Bodecker, 44 ans.<br> Le mouvement du mime est tr&egrave;s pur, m&ecirc;me dans la vie quotidienne, &agrave; tel point que regarder Ostapczuk sucrer son caf&eacute; est un spectacle en soi, selon ses amis et sa famille.<br> "Ils me disent que quand je me verse une cuiller de sucre, je ne fais rien d'autre en m&ecirc;me temps, je ne regarde pas ailleurs, je ne me gratte pas la t&ecirc;te, je me verse juste une cuiller de sucre et le mouvement est tellement sobre que c'est comme si j'&eacute;tais sur sc&egrave;ne", dit-il en imitant le mouvement.<br> Ce que Ewa Tromszczynska, 57 ans, une journaliste polonaise qui assiste depuis des ann&eacute;es &agrave; ce festival, appr&eacute;cie le plus, c'est que la parole n'y a pas sa place. Pour Ostapczuk, le silence est d'or.<br> "Quand je vais &agrave; une &eacute;mission de radio ou de t&eacute;l&eacute;vision, on me demande toujours 'mais comment va-t-on faire pour parler'? Et je r&eacute;ponds 'si nous nous trouvons sur sc&egrave;ne, ce n'est pas possible - on ne peut s'exprimer qu'avec son corps. Mais sinon, je peux parler", dit-il. Le metteur en sc&egrave;ne fran&ccedil;ais Lionel Menard, 45 ans, souligne que le fait d'avoir travaill&eacute; avec Marceau "qui s'est battu pour que le mime ne parle pas, pour que son travail soit construit autour du silence", implique de pr&eacute;server la tradition.<br> "M&ecirc;me moi qui suis un ancien &eacute;l&egrave;ve de Marceau, je leur dis parfois dans mes productions 'allez-y! parlez! &ccedil;a va &eacute;voquer quelque chose, &ccedil;a peut &ecirc;tre int&eacute;ressant, mais ils ne veulent pas. Voil&agrave;!", dit-il.<br> Le mime Marceau a fait revivre cet art qui remonte &agrave; l'antiquit&eacute; grecque. Mais "il a d&eacute;velopp&eacute; un style particulier qui s'est impos&eacute; comme la d&eacute;finition du mime", effa&ccedil;ant les autres interpr&eacute;tations aux yeux du public, explique Joseph Seelig, co-directeur du festival international de mime de Londres depuis 1977.<br> Apr&egrave;s tout, "mime, &ccedil;a veut juste dire imitateur", rappelle-t-il, se r&eacute;f&eacute;rant &agrave; l'origine grecque du mot "mimos" et &agrave; la longue histoire de cet art avant Marceau.<br><br> AFP via leparisien.fr, publi&eacute; le 30.08.2013, 10h30.</p><p>Address of the bookmark: <a href="http://www.leparisien.fr/flash-actualite-culture/les-puristes-du-mime-en-force-au-festival-de-pologne-30-08-2013-3093001.php" rel="nofollow">http://www.leparisien.fr/flash-actualite-culture/les-puristes-du-mime-en-force-au-festival-de-pologne-30-08-2013-3093001.php</a></p>]]></description>
	<dc:creator>Philippe Pillavoine</dc:creator>
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	<guid isPermaLink="true">https://www.silencecommunity.com/bookmarks/view/10135/perigueux-un-institut-du-mime-mais-pour-quoi-faire</guid>
	<pubDate>Tue, 06 Aug 2013 21:01:15 +0200</pubDate>
	<link>https://www.silencecommunity.com/bookmarks/view/10135/perigueux-un-institut-du-mime-mais-pour-quoi-faire</link>
	<title><![CDATA[Périgueux : un Institut du Mime, mais pour quoi faire ?]]></title>
	<description><![CDATA[<p><strong>Le festival Mimos se double d&eacute;sormais d&rsquo;une mission de conservation et de coproduction</strong></p>
<p><img src="http://www.sudouest.fr/images/2013/08/06/1133630_2170562_460x306.jpg" alt="La directrice de Mimos, Chantal Achilli, avec Fran&ccedil;ois Hollande, vendredi" style="border: 0px; "><br> La directrice de Mimos, Chantal Achilli, avec Fran&ccedil;ois Hollande, vendredi (Quentin Salinier)</p>
<p>Soudain, on a cru tenir le scoop de l&rsquo;ann&eacute;e : <a href="http://www.sudouest.fr/2013/08/03/c-est-du-chirac-1132044-4625.php">vendredi, sur sa tribune am&eacute;nag&eacute;e dans la salle des mariages de la mairie de P&eacute;rigueux, le pr&eacute;sident de la R&eacute;publique</a> a confirm&eacute; l&rsquo;implication de l&rsquo;&Eacute;tat aupr&egrave;s du festival Mimos, en &eacute;voquant &laquo; le label de Sc&egrave;ne nationale reconnue &raquo;. Une Sc&egrave;ne nationale, en langage culturel, c&rsquo;est l&rsquo;appellation officielle de 70 sites en France qui leur garantit plusieurs centaines de milliers d&rsquo;euros de financements publics. Stupeur : pour le Th&eacute;&acirc;tre de l&rsquo;Odyss&eacute;e, qui organise Mimos avec &agrave; peine<strong> 180 000 euros de budget artistique </strong>et la saison culturelle locale avec <strong>une enveloppe globale d&rsquo;1,5 million d&rsquo;euros </strong>par an, Fran&ccedil;ois Hollande semblait promettre <strong>un financement multipli&eacute; par dix</strong> !</p>
<p>En fait, pas du tout : &agrave; quelques minutes de prendre son bain de foule dans le centre-ville, le chef de l&rsquo;&Eacute;tat a confondu le terme &laquo; sc&egrave;ne nationale &raquo; avec &laquo; sc&egrave;ne conventionn&eacute;e &raquo;, une autre forme de labellisation, mais beaucoup moins dot&eacute;e. Et puisque l&rsquo;Odyss&eacute;e vient d&rsquo;obtenir de l&rsquo;&Eacute;tat une &laquo; mission nationale &raquo; autour des arts du mime, le m&eacute;li-m&eacute;lo &eacute;tait couru d&rsquo;avance. Du coup, l&rsquo;&Eacute;tat a bien valid&eacute; la cr&eacute;ation d&rsquo;<strong>un &laquo; Institut national des arts du mime et du geste &raquo; </strong>comme troisi&egrave;me activit&eacute; de l&rsquo;Odyss&eacute;e, avec la saison culturelle et le festival. Mais <strong>avec un budget suppl&eacute;mentaire symbolique : </strong>60 000 euros pour cette premi&egrave;re ann&eacute;e.</p>
<p>Publi&eacute; le 06 ao&ucirc;t 2013 par Adrien Vergnolle via sudouest.fr.</p><p>Address of the bookmark: <a href="http://www.sudouest.fr/2013/08/06/un-institut-du-mime-mais-pour-quoi-faire-1133630-1980.php" rel="nofollow">http://www.sudouest.fr/2013/08/06/un-institut-du-mime-mais-pour-quoi-faire-1133630-1980.php</a></p>]]></description>
	<dc:creator>Philippe Pillavoine</dc:creator>
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	<guid isPermaLink="true">https://www.silencecommunity.com/bookmarks/view/10074/ouverture-du-festival-international-des-arts-du-mime-et-du-geste-de-perigueux</guid>
	<pubDate>Mon, 29 Jul 2013 22:25:53 +0200</pubDate>
	<link>https://www.silencecommunity.com/bookmarks/view/10074/ouverture-du-festival-international-des-arts-du-mime-et-du-geste-de-perigueux</link>
	<title><![CDATA[Ouverture du Festival International des arts du mime et du geste de Périgueux]]></title>
	<description><![CDATA[<p>Coup d'envoi de la 31&egrave;me &eacute;dition Mimos, 6 jours de festivit&eacute;s et de d&eacute;couvertes artistiques. 20 compagnies repr&eacute;sentant dix pays (plus 21 compagnies dans le Off), l&rsquo;occasion de d&eacute;couvrir pendant une semaine de nouveaux talents et d&rsquo;assister &agrave; 4 cr&eacute;ations mondiales&hellip; <img src="http://aquitaine.france3.fr/sites/regions_france3/files/styles/top_big/public/assets/images/2013/07/29/derevo.jpg" style="float: left; margin-right: 5px; border: 0px; " alt="image"></p>
<p>Depuis sa cr&eacute;ation, en 1983 &agrave; P&eacute;rigueux, le Festival MIMOS s&rsquo;est toujours attach&eacute; &agrave; refl&eacute;ter la diversit&eacute; d&rsquo;un art reposant sur le langage du corps et le mouvement dramatique.<br> Il est devenu le plus important festival de mime d'Europe avec celui de Londres. Chaque ann&eacute;e, les responsables essaient de trouver des compagnies proposant des formes novatrices qui s'&eacute;loignent du mime traditionnel pour aller flirter avec la danse contemporaine, les arts plastiques, la vid&eacute;o, les marionnettes ou le cirque.<br> <br> <strong>L'&eacute;dition &nbsp;2013 qui se veut le reflet d&rsquo;une soci&eacute;t&eacute; en proie au doute</strong>,elle va convier le spectateur &agrave; un voyage sensoriel entre Illusion et r&eacute;alit&eacute;.&nbsp;<br> Les artistes s&rsquo;amusent &agrave; cr&eacute;er de troublants trompe-l&rsquo;&oelig;il, s&rsquo;emparent, animent ou d&eacute;tournent les objets, se jouent de nos perceptions...</p>
<br> Quelques vid&eacute;os de la programmation 2013
<p><strong>Claudio Stellato</strong> fusionne son corps avec des objets, en un fascinant ballet/combat o&ugrave; se m&ecirc;lent danse, th&eacute;&acirc;tre d&rsquo;objets et magie nouvelle avec son pspectacle&nbsp;"L&rsquo;Autre"<br> <br> 
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<br><br> <strong>La Cie Jakop Ahlbom</strong>, combine imagination d&eacute;brid&eacute;e et faux- semblants pour un superbe hommage au cin&eacute;ma burlesque muet (Lebensraum), au croisement des arts plastiques et du th&eacute;&acirc;tre,.<br> <br> 
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<br> <br> <strong>La Cie T&ecirc;te de Pioche</strong> lib&egrave;re la charge po&eacute;tique contenue dans de vieux outils agricoles (Fragments de vie), avec son subtil ballet a&eacute;rien dans les arbres<br> <br> <br> <br><br> <strong>Le Studio Eclipse</strong> offre l&rsquo;exp&eacute;rience d&rsquo;une autre perspective par le &ldquo;dessous&rdquo;, un &eacute;tonnant contre-champ de la r&eacute;alit&eacute; (Fallen Thoughts)<strong>,</strong> c&eacute;l&eacute;br&eacute;e pour ses images mouvantes &agrave; l&rsquo;&eacute;nergie radicale.<br> <br> 
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<br> <br> <strong>La compagnie russe Derevo</strong>, dont c&rsquo;est le grand retour &agrave; P&eacute;rigueux, pr&eacute;sente un petit bijou de trouvailles visuelles et sc&eacute;nographiques, in&eacute;dit encore en France <strong>(Harlekin)</strong>&nbsp;<br> <br> 
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<br> <br> <strong>La Cie Les Phil&eacute;bulistes </strong>met en sc&egrave;ne une roue vertigineuse et mobile o&ugrave; deux acrobates- voltigeurs jouent &agrave; d&eacute;fier la rotation (Arcane)<br> <br> <br><br> <strong>T&eacute;l&eacute;charchez</strong> <a href="http://www.mimos.fr/images/0_plaquette_mimos_web_2013.pdf" target="_blank">le programme du in</a></p>
En compl&eacute;ment de la programmation officielle : le Mim'off
<p>21 jeunes compagnies s&eacute;lectionn&eacute;es donneront leurs cr&eacute;ations au d&eacute;tour des rues et places de P&eacute;rigueux. Au gr&eacute; de leurs envies, les festivaliers peuvent s&rsquo;attarder pour d&eacute;couvrir de multiples propositions artistiques, des plus impressionnantes et imposantes &agrave; des petites formes plus intimes. En fin de festival, le public &eacute;lira le laur&eacute;at du Prix MIM'OFF 2013 qui r&eacute;compense le meilleur spectacle du Off (1500 &euro;).<br> <strong>T&eacute;l&eacute;chargez </strong><a href="http://www.mimos.fr/images/MIMOS_13_DEPLIANT_IN_OFF.pdf" target="_blank">le prgramme&nbsp;du off</a></p><p>Address of the bookmark: <a href="http://aquitaine.france3.fr/2013/07/29/ouverture-du-festival-international-des-arts-du-mime-et-du-geste-de-perigueux-294829.html" rel="nofollow">http://aquitaine.france3.fr/2013/07/29/ouverture-du-festival-international-des-arts-du-mime-et-du-geste-de-perigueux-294829.html</a></p>]]></description>
	<dc:creator>Philippe Pillavoine</dc:creator>
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<item>
	<guid isPermaLink="true">https://www.silencecommunity.com/bookmarks/view/10072/perigueux-a-son-institut-national-des-arts-du-mine</guid>
	<pubDate>Mon, 29 Jul 2013 21:57:24 +0200</pubDate>
	<link>https://www.silencecommunity.com/bookmarks/view/10072/perigueux-a-son-institut-national-des-arts-du-mine</link>
	<title><![CDATA[Périgueux a son institut national des Arts du mine]]></title>
	<description><![CDATA[<p>C'est officiel ! Le maire de P&eacute;rigueux l'a annonc&eacute; ce matin lors du point presse de Mimos. L'Odyss&eacute;e devient institut national des arts du mime. La convention est en cours de signature.</p>
<p><img src="http://aquitaine.france3.fr/sites/regions_france3/files/styles/top_big/public/assets/images/2013/07/29/odyssee_5_1.jpg" style="float: left; margin-right: 5px; border: 0px; " alt="image"></p>
<p>Michel Moyrand ne boudait pas son plaisir. "J'&eacute;prouve une tr&egrave;s grande fiert&eacute; de voir P&eacute;rigueux plac&eacute; au sommet de cet art qu'est le mime" a-il d&eacute;clar&eacute;. "Cette 31&egrave;me &eacute;dition s'ouvre dans un contexte rassurant" a ajout&eacute; le maire, vice-pr&eacute;sident du conseil r&eacute;gional d'Aquitaine.  L'Odyss&eacute;e aura trois missions essentielles, reconnues par le minist&egrave;re de la Culture :<br> <br> - rep&eacute;rer les compagnies &eacute;mergentes et les faire conna&icirc;tre du grand public en soutenant la cr&eacute;ation<br> - d&eacute;velopper la p&eacute;dagogie et la formation via des masters classes<br> - valoriser la m&eacute;moire de l'art du mime.<br><br> L'Odyss&eacute;e dispose de 30 ans d'archives de photos et de vid&eacute;os. Il va falloir les num&eacute;riser et les indexer. Dans 5 ans, le public devrait pouvoir les consulter en ligne. <br> "Nous allons d&eacute;tenir la plus grande richesse au monde de cet art et la rendre accessible" s'est f&eacute;licit&eacute; Michel Moyrand.<br> En 30 ans, gr&acirc;ce &agrave; un festival accessible &agrave; tous, "nous avons d&eacute;mocratis&eacute; la culture de l'Art du geste et du mime"  a-t-il conclu.</p>
<p>Par H&eacute;l&egrave;ne Chauwin | Publi&eacute; le 29/07/2013.</p><p>Address of the bookmark: <a href="http://aquitaine.france3.fr/2013/07/29/perigueux-son-institut-national-des-arts-du-mine-295031.html" rel="nofollow">http://aquitaine.france3.fr/2013/07/29/perigueux-son-institut-national-des-arts-du-mine-295031.html</a></p>]]></description>
	<dc:creator>Philippe Pillavoine</dc:creator>
</item>
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	<guid isPermaLink="true">https://www.silencecommunity.com/bookmarks/view/9656/le-mime-fpao</guid>
	<pubDate>Wed, 15 May 2013 11:22:05 +0200</pubDate>
	<link>https://www.silencecommunity.com/bookmarks/view/9656/le-mime-fpao</link>
	<title><![CDATA[Le Mime F.P.A.O]]></title>
	<description><![CDATA[<p style="text-align: center; "><span style="font-size: 24px; font-weight: bold; ">A suivi une formation &agrave; l'&eacute;cole international du mime corporel dramatique</span></p>
<p style="text-align: center; "><span style="font-size: 24px; font-weight: bold; "><span style="text-decoration: underline; ">Diff&eacute;rent choix de costumes</span>: &nbsp;</span></p>
<p style="text-align: center; "><span style="font-size: 18px !important; font-weight: bold; "><span style="color: #0000ff; ">Tyrolien, Ma&icirc;tre de c&eacute;r&eacute;monie , costume m&eacute;di&eacute;vale, mime originale , chef de cavalerie , Marquis.&nbsp;</span></span></p>
<p><span style="font-size: 18px !important; font-weight: bold; ">Mes liens pour me voir en vid&eacute;o:</span></p>
<p style="background-color: transparent; text-align: center; ">&nbsp;</p>
<p style="text-align: center; "><span style="color: #000000; font-size: 14px; "><a href="http://www.youtube.com/watch?v=pmTJ-QlsH-E">http://www.youtube.com/watch?v=pmTJ-QlsH-E</a></span></p>
<p style="text-align: center; ">&nbsp;</p>
<p style="text-align: center; "><span style="color: #000000; font-size: 14px; "><a href="http://www.youtube.com/watch?v=45IiuwnXUM0">http://www.youtube.com/watch?v=45IiuwnXUM0</a></span></p>
<p style="text-align: center; ">&nbsp;</p>
<p style="text-align: center; text-align: center; "><span style="font-size: large; "><strong><span style="text-decoration: underline; "><span style="font-size: 18px; ">Deux th&egrave;mes</span></span></strong></span></p>
<p style="text-align: center; "><span style="font-size: 24px; font-weight: bold; ">* <span style="color: #0000ff; ">Un spectacle de rue pour votre ville ( Automate, Statue, Mime )</span>.</span></p>
<p style="text-align: center; "><span style="font-size: 14px !important; font-weight: bold; ">id&eacute;ale pour f&ecirc;te de village, brocante, Arbre de noel ext&eacute;rieur, manifestation commerciale, s&eacute;minaire, Soir&eacute;e priv&eacute;e , ouverture magasin , accueillir vos invit&eacute;s</span></p>
<p style="text-align: center; "><span style="font-size: 24px; font-weight: bold; ">* <span style="color: #0000ff; ">Un spectacle sur le th&egrave;me de l'apprentissage de la magie avec l'aide d'un grand magicien .</span></span></p>
<p style="text-align: center; "><span style="font-size: 24px; font-weight: bold; "></span></p><p>Address of the bookmark: <a href="https://www.silencecommunity.com/pg/profile/MimeFPAO/editicon/">https://www.silencecommunity.com/pg/profile/MimeFPAO/editicon/</a></p>]]></description>
	<dc:creator>Francis PERIN</dc:creator>
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