SilenceCommunity.com On March - 3 - 2011

The reporters of the SilenceCommunity.com’s “Live Room” will be present for the “information day professional Arts of mime and gesture” Saturday, March 12, 2011 from 13 to 17 hours GMT at the “International Visual Theatre” in Paris. We look forward to seeing you here at the [liveroom], Saturday 12th to 13 hours GMT. You can watch the event, post comments, participate in our collaborative notes, taking vote in our polls and submit your ideas!

[April 09, 2011 – 00h00 GMT]: “Networks”

Third and final round table of the “Information day professional Arts of mime and gesture” of March 12, 2011. View the video on SilenceCommunity.com.

[April 04, 2011 – 22h30 GMT]: “The formation”

Second round-table of the “Information day professional Arts of mime and gesture” of March 12, 2011. View the video on SilenceCommunity.com.

[March 27, 2011 – 14h00 GMT]: “The creation”

First round-table of the “Information day professional Arts of mime and gesture” of March 12, 2011. View the video on SilenceCommunity.com.

[March 19, 2011 – 12h00 GMT]: The opening of the “Information day professional Arts of mime and gesture” of March 12, 2011


Opening March 12, 2011 of the “information day professional Arts of mime and gesture”at the International Visual Theatre:
-01. Stéphane Judé of International Visual Theatre,
-02. (at 1 minute 24): Jacques Baillon of Centre National du Théâtre,
-03. (at 3 minutes 15): Yves Marc of Théâtre du Mouvement,
-04. (at 12 minutes 38) : Chantal Achilli of L’Odyssée, scène conventionnée of Périgueux,
-05. (at 22 minutes 46): Jean-Claude Cotillard of École Supérieure d’Art Dramatique de Paris.

[March 12, 2011 – 13h00 GMT]: Broadcast

[March 09, 2011 – 11h30]: Polls and notetaking

Alongside the live broadcast, we are developing a collaborative notetaking open to any surfer who will contribute to the generosity and surveys for members of SilenceCommunity.com.
> Link of the notetaking.
> Polls:
– “Doit-on privilégier uniquement la créativité, l’expérimentation contemporaine, le renouveau ? (Should we focus only creativity, experimentation contemporary revival?)“,
– “Doit-on imposer un ‘Numerus clausus’ ? Doit-on imposer une ‘discrimination positive’ ? (Should there be a ‘numerus clausus’? Should there be a ‘positive discrimination’?)“,
– “Doit-on imposer des nominations à la tête de certaines institutions ? (Should there be any nominations at the head of certain institutions?)“,
– “La profession doit-elle s’appuyer sur les réseaux existants ? (The profession should it rely on existing networks?)“,
– “Est-il envisageable de créer une fédération de réseaux ? (Is it possible to create a federation of networks?)“.

[March 04, 2011 – 13h30]: Members of the Plenary GLAM

Chantal Achilli L’Odyssée, scène conventionnée of Périgueux, Caroline Arragain Cie Projectyl, Ivan Bacciocchi École de mime corporel dramatique, Jacques Baillon Centre national du Théâtre, Lucile Bodson Institut International de la Marionnette, Laurent Clairet Cie Monsieur et Madame O, Jean-Claude Cotillard École Supérieure d’Art Dramatique de Paris, Violette Dubois Planète MiMe, Régine Géraud Centre du Nouveau Mime, Didier Guyon Cie Fiat Lux, Claire Heggen Théâtre du Mouvement, Hugues Hollenstein Cie Escale, Stéphane Judé International Visual Theatre, Emmanuelle Laborit International Visual Theatre, Fay Lecoq École Jacques Lecoq, Yves Marc Théâtre du Mouvement, Alain Mollot Théâtre de la Jacquerie, Jean-Jérôme Raclot Théâtre Arc en ciel – Rungis and Elena Serra Artist.

[March 03, 2011 – 13h00]: The program of the “information day professional Arts of mime and gesture” of March 12, 2011

PROGRAM:
Welcome and presentation of GLAM

Presentation of current activities:
Proposed creation of a National Center for the Arts of mime and gesture in Perigueux
Plans to open a Department Arts of mime and gesture at the Higher School of Dramatic Art in Paris

Three debates:
How the creation and dissemination of art of mime and gesture to build today?
Should we focus only creativity, experimentation contemporary revival?
Do we lack the financial means or human means?
Should we impose a “numerus clausus”? Should there be a “positive discrimination”?
Should there be any nominations at the head of certain institutions?
What are the arguments in our favor to ask for more money to the state?

What are the training needs for the Arts of mime and gesture?
Beyond the control of the body for playwriting movement, what are the prospects for training in the arts of mime and gesture?
What is the balance between the transmission of technical and artistic heritage of the old masters and innovations necessary for creative contemporary?
What are the fundamental arts of mime and gesture that would nevertheless transmitted the singularities?
At a time when public education will perhaps see how the day can be structured private education in terms of:
– Initial training, advanced training
– Continuing education (art of mime and gesture, other forms of performing arts)
– Teaching the art of mime and gesture in the schools of arts (national schools, regional and municipal conservatories, universities, school districts in education).

Overview of existing networks: Centre du Nouveau Mime, Geste(s), Planète MiMe.

How to unite the profession?
What needs for the profession in network?
The profession should it rely on existing networks? Create a new one?
Is it possible to create a federation of networks?
What is the profession must wait a network in terms of mission and activities?

Photo credits: Groupe de liaison des Arts du mime et du geste / Philippe Pillavoine /.
Photos of Philippe Pillavoine from SilenceCommunity.com are protected by a Creative Commons license. You are free to reproduce, distribute, and communicate to the public as well as to modify the condition to cite the author and to link http://bit.ly/bInGFf
Legal license available http://creativecommons.org/licenses/by/2.0/

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